Swingin' On Main

Swingin' On Main The best swing venue in town. Swing music that really swings

03/09/2026

Jill and I will be teaching classes at Riverton. On Saturdays, if you have an interest. Register here.

https://apps.daysmartrecreation.com/dash/x/ #/online/riverton/activity-finder/programs/9/levels/218?customer_id=21604&

If you're looking for a place to dance tomorrow. Friday, Aug 1, Riverton is having the Phoenix Jazz and Swing Band, and ...
08/01/2025

If you're looking for a place to dance tomorrow. Friday, Aug 1,
Riverton is having the Phoenix Jazz and Swing Band, and there will be dancing. Jill and I will be teaching the lessons and will be there.

Cluff HallFor slightly more than four decades, a large, two-story, adobe building stood on the northeast corner of the i...
09/15/2021

Cluff Hall

For slightly more than four decades, a large, two-story, adobe building stood on the northeast corner of the intersection of 200 North and 200 East.

This structure once claimed the title of Provo’s largest building. For years it served as the growing settlement’s main social center and manufacturing hub. Residents called it Cluff Hall, and Provo’s Cluff family felt proud to have it bear their name. After all, it was largely their industry, perseverance, skill, and hard work that built it.

It had long been Father Cluff’s wish “that his sons should unite in business and pull together.” David Jr. and several of his brothers — likely Moses, Benjamin, and Harvey — started a cooperative business venture early in 1857. They began construction of a 60-by-36-foot, two-story, adobe building on the corner of 200 North and 200 East.

Since none of the brothers had much ready cash, the people of Provo regarded the project “as an undertaking entirely too great for the ‘Cluff boys.’ ” Regardless of local opinion, they started building. Each brother’s interest in the structure equaled the amount of labor, material, and money he invested in it.

The brothers may not have been able to raise a large amount of hard cash, but they showed themselves capable of raising a large building. They achieved their goal through hard work. The Cluffs dug the excavation, hauled rock and sand, cut logs, and transported them to the mill. They made the adobe bricks and prepared the mortar. In fact, they did almost everything but put in the foundation and lay the adobe. John Watkins, Provo’s master mason, put up the walls.

The Cluff boys raised roof trusses that they had expertly fastened together with wooden pegs. Since the iron nails made by local blacksmiths were expensive, they used wooden pegs as fasteners wherever they could in the building.

The result of their labors towered above all of Provo’s other buildings. Travelers frequently visited the east part of town just to see Cluff Hall, as it came to be called.

A letter written to the Deseret News in August 1860 described the new structure. The paper said the Cluffs installed a cabinet shop on the lower level. The west room contained a lathe, two circular saws and an upright saw.

A 10-foot-tall by four-foot-wide undershot waterwheel — a wheel propelled by the water that ran under it — provided power to run the machinery. The East Union Canal, a cooperative effort of the Cluffs and other families who owned land in the bench area of Provo in the 1850s (roughly the area east of 200 West), provided water to run the wheel.

The Cluffs used the east room on the lower level as a place to construct furniture. The brothers kept a stock of furnishings on hand for customers to choose from. Their new business commenced during the fall of 1860.

The second story of Cluff Hall contained a painting room and a large multi-purpose room used as a school, dance hall, meeting room, and theater.

After inspecting the structure, the News correspondent complimented the Cluff brothers by stating: “The boys deserve great credit for the industry and perseverance they have shown thus far in this undertaking. People spoke discouragingly and some manifested opposition, but the boys stuck to their text and have succeeded almost beyond their expectations.”

The Deseret News recognized David Cluff Jr.’s skill as a carpenter and cabinet maker. In October 1860, the News stated, “Cluff’s specimens of carpentry would do honor to any builder.” The newspaper also referred to Cluff Hall as “a first-class building in design, and also in strength.”

Provo occupied what was likely the best site for settlement in the Great Basin. It was blessed with good soil and ample water for irrigation and manufacturing. LDS leaders expected the people of Provo to use these resources to rapidly develop into a manufacturing center, but to their dismay, progress came slowly.
The Deseret News hoped the construction of Cluff Hall indicated that the people of Provo were finally beginning “to realize their natural advantages, and we trust before long she will become a first-class manufacturing city.”

David and Harvey carried on the furniture-making business for many years, and they provided employment for local artisans. D.F. William Christiansen, a recent convert to Mormonism, was one of these craftsmen. He arrived in the Great Basin in 1864 and worked for Dinwoody’s Furniture in Salt Lake City for a short time before moving to Provo, where he found employment working for the Cluffs.

Christiansen made and repaired wagons and built coffins. He also made dolls, sleighs, rocking horses, and wagons for children. He left Provo to live in Pleasant Grove in 1868.

In addition to his work as a cabinetmaker, David Jr. built coffins in Cluff Hall, and he performed the duties of an undertaker. For a few years, his showroom was in the Lewis Building on the corner of Center Street and 300 West.

When David Cluff Jr. Ieft for a mission to Australia in 1875, he sold his interest in the furniture business to George White.

Harvey Cluff remained in the furniture business and took a partner named Booth. In 1877, Cluff and Booth built a two-story, 22-by-40-foot adobe furniture store on the east side of Center Street between University Avenue and 100 East.

After David Jr. returned from his Australian mission, he took up the undertaking business once more. His July 9, 1881, ad in Provo’s Territorial Enquirer reads: “The oldest and only Undertaker in Provo that keeps a full and complete stock of Undertakers goods on hand. Coffins, from the cheapest to the most elaborately trimmed, furnished on short notice at the old stand.”

Several types of activities began in the upstairs multi-purpose room soon after it was finished in the fall of 1860. The LDS Church used local industrial and agricultural fairs to encourage improvement and foster unity in each settlement. Local leaders held Provo’s fair in Cluff Hall in 1860 and for several succeeding years.

The Deseret News reported that in addition to the regular fruits, vegetables, and manufactured articles, the fair held in Cluff Hall in 1865 included “good home-made cloth, some exquisite needlework and penmanship, and a few curiosities.” (Curiosities were likely common in Provo.)

The Cluffs sponsored the first public dances in their hall at Christmastime in 1860. The family donated all of the money they made to help buy a bell for Provo’s first tabernacle, which stood just north of Provo’s current tabernacle.

Samuel Sampson Cluff remembered that first dance for the rest of his life. In a roundabout way, it helped win him a wife. Twenty-four-year-old Samuel decided he was ready for marriage and selected Miss Frances Worsley as his potential partner. Three grand dances were scheduled for the holiday season in 1860, and Samuel asked Frances to be his partner for the first one. Possibly playing hard to get, she refused his invitation, claiming she had already been asked.

Samuel formulated a plan of action that through the years has trapped more than one wily female. Without delay, he asked Miss Whipple, one of Provo’s foremost belles, to accompany him to the dance. She accepted without hesitation.

On the night of the grand ball, Frances immediately noticed Samuel enter the new hall with Miss Whipple on his arm. Samuel caught the cagey girl of his dreams in his trap. Frances immediately changed her mind about wanting Samuel to court her. She accepted his next invitation.

According to Frances’s sage suitor, “The flame of love kept burning brighter and brighter until on the 19th day of May 1861 … we were united in the holy bonds of matrimony.”

Other dances of a similar type occurred in Cluff Hall throughout the following years. In November 1865, Provo held a ball in honor of Daniel H. Wells. According to the Deseret News, “Dancing continued until a late hour, and all went merry as a marriage bell.”
A variety of other public and private activities occurred in the hall during the 1860s. The Deseret News reported public lectures being held there every Tuesday evening during the winter of 1863. Each week the hall saw “large and attentive audiences, which speaks the interest that is taken in them.”

The fact that two choirs and a band presented music during these meetings likely helped keep the audience awake and attentive.
Pending the completion of the Provo Meeting House (first tabernacle), citywide Sunday religious services took place in Cluff Hall. On rare occasions, the congregation attending these meetings heard a plea for tolerance similar to that recorded in the Minutes of Provo Stake on December 12, 1866: “The gentiles would [like to] come among us, we must receive them at our gates in a friendly manner, Not curse them simply because they are gentiles.” The upcoming Christmas season apparently helped soften the normally bombastic rhetoric heard over the pulpit in early Provo.

In the fall of 1877, other LDS Church groups also used Cluff Hall. Provo’s Second Ward outgrew the small adobe building they were using for a schoolhouse and a church. The ward temporarily used Cluff Hall until a larger building could be erected a half-block west of the original one.

Even Provo’s small but growing Masonic Lodge used Cluff Hall. For about nine months in 1872, the lodge leased the hall before moving their meetings to Benjamin Bachman’s house.
In a very broad sense, Cluff Hall served as the preexistence of Brigham Young Academy’s development. In 1861, Warren Dusenberry taught school in Provo’s LDS First Ward. The next year he rented Cluff Hall for $50 a month and started a school of his own. He made the desks himself.

Dusenberry left his school to start a private business and serve an LDS mission in 1865. When he returned to Provo in 1869, he and his brother Wilson started a school in the Kinsey Building. It was so successful, they expanded to the Lewis Building on 300 West Center Street.

They used the same desks in the Lewis Building that Warren had manufactured for his school in Cluff Hall. This new institution became known as the Timpanogos Branch of the University of Deseret which became the predecessor of Brigham Young Academy. So, you see, it all started in Cluff Hall.

When Provo Foundry moved out of Cuff Hall the building's die was cast the owners could find no other use for the aging structure. After serving Provo for 40 years as a ballroom, school, theater, foundry, and for multiple other uses, workmen razed the empty building in June 1901. George Smoot and others later built houses on the site where pioneer Provo's largest building had once stood.

100 feet under the murky waters of the Jordanelle reservoir, a microcosm of a century of Utah life sits buried in silt. ...
09/09/2021

100 feet under the murky waters of the Jordanelle reservoir, a microcosm of a century of Utah life sits buried in silt. Keetley, Utah, was once a major player in both Summit and Wasatch counties, thanks to the Ontario mine, its history with Japanese internment, and its long history with the mining industry. The land once held tourist destinations like the Blue Goose and the largest WWII voluntary Japanese evacuation in the country. Beyond its immediate importance in major historical events in Utah, however, Keetley is important simply for the breadth of its historical context. Both senators and depression-struck miners lived there. Wealthy socialites passed through just a few years before su***de was considered an option preferred to bankruptcy. Although Keetley is now a watery shell of its former self, it still has much to teach us about the people that lived there, the railways that passed through the site, the Japanese voluntary evacuation in WWII, and the history of mining in Wasatch County. The importance of the site can’t be underestimated, especially with the current drought potentially allowing us another chance at examining this important part of Utah and national history.

If you’ve ever been to the Jordanelle Reservoir, you may not have realized the rich history lurking in the depths below you. Keetley, the town that drowned in the reservoir's waters, was home to cattle ranchers, miners, bootleggers, and Japanese-Americans forcibly removed from their homes during World War II.

After silver was discovered in Park City, prospectors opened the Ontario claim to the east of town in 1872 and named the area after Pony Express rider Jack Keetley. John 'Jack' Keetley, born November 28, 1841, grew up in Marysville, Kansas. In his youth, as a pony express rider, he was known for completing the longest ride without stopping, except to change horses. He rode 300 miles in twenty-four hours. Eventually, the entire Keetley area was bought by George and Donald Fisher for ranching.

During the silver mining boom of the 1920s, the Fishers filled the area with two-story buildings that housed up to 600 miners. They leased the rest of the land for a schoolhouse, a store, and an amusement hall called the Blue Goose, run by a pair of brothers named Big and Little Joe. The Blue Goose hosted boxing matches, dance nights, and had pool tables, a marble-topped bar, and during Prohibition, a bootlegging operation.

After the Great Depression stalled Utah’s mining operations, Keetley was mostly deserted. One of the Fisher brothers leased the land in 1942 to a Japanese-American businessman named Fred Wada. Wada established a farm co-op in Keetley as an alternative for Japanese-American citizens who would otherwise be sent to internment camps such as the one outside Delta, Utah. Although the Park City Town Council and the local sheriff lobbied for the removal of the co-op, Utah's Governor Herbert Maw praised the Keetley farmers and called them “loyal high-class citizens” after sampling a box of their produce.

When the dam gates closed in 1995 to provide water for a growing population, one historian lamented that “when the [Jordanelle Reservoir] is filled and all the recreational facilities in use, people are not likely to remember… the small town [of Keetley]… far below them in its watery grave.” Now, under 5.1 square miles of water is the drowned Ontario mine, the empty miners' quarters, the ruins of the Blue Goose, and Fred Wada’s fields.

In 1927 George and Gail Fisher leased some land west of the ranch buildings to an outfit out of Butte, Montana. These men, remembered only as Big and Little Joe, built an 80-foot square amusement hall on the property. They painted it blue and named it the Blue Goose. It was outfitted regally with a heavy marble-topped bar and stained-glass barroom doors. For a few years, this was a favorite entertainment spot for miners and out-of-towners, and it quickly developed a reputation that rivaled the dance halls of Park City. The Blue Goose offered a variety of entertainment, including weekly smokers—boxing and wrestling matches that listed out-of-state as well as local talent on the card.

On weekends dances were held at the Blue Goose. A Salt Lake City socialite, who also ran a string of girls in Park City, furnished dance partners. Later, when it became more lucrative to take the girls to Salt Lake City, the dances were attended by local girls.

Gambling was popular at the Blue Goose, and card rooms were open nightly. Game stakes could run as high as $1,000 in an evening. There were also pool and craps tables. The biggest draw was panguingue (pan), a fast-moving card game usually played by six. Charlie Thompson was the local champion. One evening, the story goes, he won a service station, an oil and gas distributorship, and a diamond ring.

During prohibition, the grounds around the Blue Goose became a popular hiding place for locally produced whiskey. Heber's newspaper, the Wasatch Wave, reported several "Big Whiskey Catches" by Sheriff Fraughton during 1927 and 1928. The Fisher ranch had its own problems with bootleggers. The Fishers had leased some bottom grazing land to an Idaho hog raiser who sold the Fishers pork to supply to the mines. This worked well for several years until Neil Fisher noticed a strong odor, one not usually associated with pigs. He and his father quickly identified the smell as mash and uncovered a complete bootlegging operation in the pens. The sheriff ran the man out of the area.

When the depression hit, transportation became a problem, and business at the Blue Goose declined. It closed its doors in 1930. Later, Wilson Young and Dick Glazier held Boy Scout activities there, and on Saturday mornings Guy Coleman brought movies from his theater in Midway. He also furnished Wednesday night films at the mine boardinghouse. The Blue Goose was finally torn down sometime between 1937 and 1941.

During World War II Keetley became the wartime home of 140 Japanese Americans, the largest such group to resettle voluntarily away from the West Coast. Fred Wada, a thirty-five-year-old California businessman, organized a nonprofit cooperative enterprise of Japanese Americans to engage in farming, in part to help the war effort by producing foodstuffs and also to avoid being sent to an internment camp. He quickly recruited 140 members.

He and around 90 settlers he’d recruited left for Keetley on March 26th, 1942, not a day too soon. Four days later, the army’s freeze order went into effect, prohibiting any more voluntary travel for Japanese Americans.

Ultimately, almost 5,000 Japanese Americans would voluntarily relocate. Wada first visited Duchesne County but found that although they needed farm labor there, it was too remote from transportation lines to make it profitable. He then visited Keetley, and George Fisher offered to lease Wada his "farm." Earlier, George had written U.S. attorney Dan B. Shields to see if this transaction was legal.

The council of Park City as well as the Wasatch County sheriff wrote Gov. Herbert B. Maw asking that the Japanese be kept out of the area. They feared their presence would lower the standard of living. Although the colony caused much discussion, there were only a few incidents of overt hostility at Keetley. Soon after the group arrived, on the night of April 9 as the miners were getting off shift, someone in a passing car threw a stick of dynamite toward the ranch buildings. No one was injured. There were other blasts during the month, but eventually, everything settled back to normal. The newcomers had little time to worry about what others thought.

As the snow melted, they could see what a monumental task lay ahead of them. This was not farmland as they had supposed. It was hilly, rocky, and covered with sagebrush. "Hell," said Fred Wada, “we had to move 50 tons of rocks to clear 150 acres to farm." During those difficult first months, using the farm equipment they had brought with them, they cleared the sagebrush and dug out the rocks by hand. They laid out a large truck garden, planting it mostly in lettuce and strawberries. Another thousand acres went into hay. Land too hilly to plant was subleased to a rancher. The colonists also built a large chicken coop and a pigpen to house the fifty chickens and eight pigs they owned. "The chickens, however, didn't live long, Masao Tsujimoto recalled, "since fried chicken came constantly in our minds whenever we saw them pecking around." After the garden was planted there was not enough work to support all those in the colony. Wives and children remained behind to tend the crops while many of the men contracted to work at a sugar beet operation in Spanish Fork and several others at an orchard and produce farm in Orem, returning on weekends to help at Keetley.

The energetic newcomers also found time to help neighboring farmers in the Heber Valley. The summer harvest was good and required the help of all ages. Children as young as ten and grandparents over seventy-five worked side by side. They sold much of their produce to Safeway and sent some to the Topaz internment camp in Millard County. They also sold to locals at a roadside stand. Proud of their achievement, they sent a box of their "finest" beets, lettuce, peas, turnips, and onions to Governor Maw. His thank you letter to Fred Wada, dated July 30, 1942, praised the Japanese colony: "You are proving by your work that you are loyal high-class citizens." The Mormon cooperative in Heber taught them how to can their surplus for winter consumption, but winter came to this mountain valley all too soon for the haggard farmers. The first snow fell on September 9. With the farming season over the Japanese women knitted for the Red Cross and the men found odd jobs. Those who remained at the ranch began raising fingerling trout donated by Sen. Abe Murdock.

Although work occupied much of their day, the small colony still had time for recreation. The Californians especially enjoyed snow sports and took up ice skating, sledding, tobogganing, and skiing with varying degrees of success. In the summer horseback riding was a favorite activity. The girls had a glee club and the boys a baseball team, the Keetley Green Waves, captained by Kaoru Honda, that had a successful season. The colony's young men also formed a basketball team that participated in games sponsored by the Japanese American Citizens League of Salt Lake City. When the war ended the Japanese colony remained to harvest their last crop before returning to the West Coast.

When the Japanese Americans were again afforded the right to move freely after the end of WW2, however, not very many stayed in the area past the final harvest. Enough stayed in Utah to boost Utah’s population of Japanese Americans by 1,183 in the 1950 census, but hardly any stayed in the Keetley area.

About one-third remained in Utah. Today only a handful of locals remember the Japanese colony, but in 1988 the survivors of the Keetley camp gathered in Culver City, California, to share memories of that time with their posterity.

With the Japanese colony gone and work at the mine slowing again, Keetley returned to a quiet existence. George Fisher made a final attempt to establish his dream. With monies received when the federal government widened U.S. Highway 40 in 1947, he converted the apartments into a motel. There was not much to attract tourists to the area, however, and it was eventually sold including school and apartment building. When George Fisher died in 1954, his dream died with him.

Interests in the area opposed the construction of the Jordanelle Dam. The Dam is built on land laced with fissures and weak underground formations. Moreover, there is a history of seismic activity in the area. The Bureau of Reclamation has repeatedly assured Heber Valley residents that the dam is safe and can withstand an earthquake of 6.5 magnitudes on the Richter scale directly below it. Wilson and his supporters have their doubts. Perhaps someday this controversy will add another chapter to the history of Keetley. When the reservoir is filled and all the recreational facilities in use, people are not likely to remember Wilson's warning or the small town of Keetley, Utah, far below them in its watery grave.

Springville Opera House / Memorial Hall SpringvilleThe Springville Opera House was built in the early 1900s and was used...
08/31/2021

Springville Opera House / Memorial Hall Springville

The Springville Opera House was built in the early 1900s and was used for stage production dance and community celebration. After many years of financial struggle, the building was sold to the LDS church for the sum of 12,000. On August 28, 1929, the building caught fire. After the fire, the four walls and foundation were all that was left. The fire investigators determined that the fire was most likely started in the stage area where the scenery was stored.

A November 23rd 19 31st reported that the American League posted 28 discussion plans that the old Opera House. The building was owned by the LDS church. And that bird, stake president of Kolob Stake who felt that the building could not be rebuilt, it should be torn down.

The Legion proposed that the LDS Church turn the building over to them, along with the substantial insurance check, and their organization would reconstruct the building for community amusement purposes, something the community lacks since the opera house burned down. In 1932 new memorial hall was opened.

Through the years, the building was used by the Springville National Guard unit from the time of their reorganization until 1948 when the Armory was completed. It served veteran groups as a community activity center. Around the 1950s, the LDS church remodeled the front part of the building to accommodate basketball. Through years the building has been used for youth dances, a meeting place for service organizations, and the place where Santa arrived in Springville to welcome the Christmas season. The building is now used as the Springville Senior Center.

The Springville Opera House slash memorial building is a two-story high auditorium with art deco detailing. The building is of brick construction with stucco wainscoting added on the sides and the front facade almost exclusively coated with stucco, with the exception of some geometric brick detail, reflecting the art deco style.

People's Opera House and Mercantile Company BountifulOnce upon a time, one could have shopped for furniture upfront, pai...
08/27/2021

People's Opera House and Mercantile Company Bountiful

Once upon a time, one could have shopped for furniture upfront, paid respects to the departed out back, and then gone dancing upstairs at the People's Opera House and Mercantile Company of Bountiful.

The building once housed the largest business in Davis County. It opened in 1869 with the general dry goods store and a post office on the ground floor. An elegant stairway led from the street directly upstairs to a large high-ceilinged room with a hard would dance floor and stage. This was the setting for community events such as plays, operas, concerts, and balls. In 1813 the business became the Davis County Furniture Company. Its operations spread to the second floor and made it necessary to create a third floor from the high-ceilinged room. Union Furniture Company was a result of a merger with The Holbrook and Smedley Furniture Company in 1923.

The facility also served the community as a casket supply and eventually made a hearse available. This was the nucleus for the later Union Mortuary

Now, having served as a general store, theater, dance hall, mortuary, roller rink, basketball court, and furniture store over the past 108 years, the much-remodeled original building and six additions at 70 N. Main are getting yet another mixed-use lease on life. After sitting empty for six years, the former site of Lakewood Furniture is being turned into shops, offices, and condominiums by a local development partnership.

Developer Brian Knowlton, a partner in Opera House L.C., said it will be a unique project, and he's right. Many of the condos' future owners will find themselves treading on the same maple floors on which silk-buttoned and spats-covered shoes danced in the 20th century, under a roof that once echoed with the drama of suggestively titled plays like "Michael Erle or the Maniac Lover" and "Ten Nights in a Barroom." There were also productions of "Snow White and the Seven Dwarfs" and "Uncle Tom's Cabin."

In regard to the latter production, a story survives about a theatrical company that was in such financial straits it had to leave Little Eva's donkey and a pony behind at the Opera House until money could be raised to send for them.

Old-time Bountiful residents who may have found the name Opera House a bit too highfalutin' for their taste dubbed the place "The People's Old Horse and Mule Company."

The Opera House, built-in 1891 at a cost of $13,000 by John Fisher, Charles H. Rampton, Willard and Chester Call, and others, was for many years the largest business establishment in Bountiful. Today, it's the only building left in the city suitable for a conversion mixing commercial and residential use, Knowlton said. However, the concept of people living over the store is not new here.

"This is the way the West was settled, the way people lived before they had cars," Knowlton said.

The $2 1/2 million conversion project, due to be completed later this year, will put 12,800 square feet of office and commercial space on the ground floor and 14 condos on 14,810 feet on the second floor. The one- to three-bedroom condos will sell for $81,000 to $130,000, Knowlton said.

"We thought it was a shame that this building sat vacant for so long. We thought for eight months on how it could be reused," Knowlton said.

A veteran of several historic conversion projects in Salt Lake City and elsewhere, Knowlton said he liked the Opera House's architectural features: exposed masonry, brickwork, high ceilings, and maple floors on the second story.

There was also a practical reason for retrofitting rather than tearing down. Under the city's building code, a new structure on the site would have had to be substantially smaller, Knowlton said.
Club Mud, a California-based do-it-yourself ceramics and arts and crafts shop, has already signed for one of the retail spaces. There are eight people on a waiting list for the condos, Knowlton said. The living units, many of which will have a lot of exposed brick, should appeal to young professionals and retired people who will enjoy living close to restaurants, shops, and bus lines in downtown Bountiful, he said.

Before the purchase of the building from the Holbrook family could be completed in October, it took about a year to get an engineering study done and have the city of Bountiful adopt a Uniform Code of Building Conservation. But it was worth the wait, Knowlton said.

"The challenge and the fun in this is that everything is unique. It's going to be a neat thing."

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South Salt Lake, UT

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