05/31/2026
Nighthawk returns for one final assembly before the long light.
Above, the chamber is placed in exceptional hands.
Griffingrrl and Emily Song join the assembly for the first time. Precision, appetite, and command in equal measure at peak hour.
And in support, two figures of long standing:
Brian Lyons, whose hands have shaped this city’s floors for decades.
Pezzner returns to carry the chamber into afterhours.
The stage is laid with intention and worked in degrees by our master of craft: controlled, deliberate, exacting. The floor is drawn in, held, and slowly brought to temperature. By afterhours, the chamber stands fully heated -euphoric, unguarded and ruled by instinct.
Below, for the first time, Nighthawk turns not backward… but forward.
Afro Tech.
Percussion that becomes pressure.
Polyrhythms older than language.
Heat that has always been known.
Voices like invocation. Movement like ritual.
Not revival or nostalgia.
Pulse. Heat.
When Afrotech is called for in Seattle, Rasheed, Supa CDQ, and CYA are the hands that answer. They are shaping the underground Seattle dancefloor, the Afro tech rhythm, and what comes next.
Selectors
Griffingrrl
Emily Song
Brian Lyons
Pezzner
Rasheed
Supa CDQ
CYA
No advance admission.
Entry taken exclusively at the door.
ADMISSION
25
15 in favored attire
BLUE • PURPLE • BLACK • GOLD
Favored attire receives priority entry.
For adults only.
The Nighthawk does not keep to the long light.
When the nights grow short, it withdraws.
Until autumn.
