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WHERE DOES "GET THE BALANCE RIGHT!" SIT AMONG DEPECHE MODE'S 1980s SINGLES—TOP 5, TOP 10, OR OUTSIDE THE TOP 10? ⚖️On th...
01/31/2026

WHERE DOES "GET THE BALANCE RIGHT!" SIT AMONG DEPECHE MODE'S 1980s SINGLES—TOP 5, TOP 10, OR OUTSIDE THE TOP 10? ⚖️

On this date in 1983, DEPECHE MODE released their seventh single, GET THE BALANCE RIGHT! (Jan 31, 1983). Recorded at Blackwing Studios in December 1982, it introduced Alan Wilder as an official member of the group and included his first writing credit, co-composing the instrumental B-side “The Great Outdoors!” with Martin Gore. The main track itself was notable for featuring processed guitar, an element Andy Fletcher said was “phased out of time” for added texture.

The single peaked at No. 13 on the UK charts, which was encouraging for a band entering a new phase after Vince Clarke’s departure. Alan, having already toured with Depeche Mode, downplayed his impact on the recording. “Yeah, it was my first single, but I don’t think I made a great deal of difference,” he remarked in one 1985 interview. Martin expressed his own reservations, calling “Get the Balance Right!” the group’s “least favourite single,” while Andy described the recording period as fraught with technical problems. Despite these criticisms, the single struck a chord with many fans, some of whom regard it as a distinctive piece of early ‘80s synthpop.

David Gahan offered an explanation of the song’s subject matter in 1983: “It’s about telling people to go their own way. It also takes a dig at people who like to be different just for the sake of it. You’ve just got to reach the right balance between normality and insanity.” Listeners in Britain seemed to connect with that sentiment, and the track secured a spot on American compilation albums such as People Are People. It was, however, notably absent from Depeche Mode’s third LP, Construction Time Again, though it would later appear on The Singles 81→85.

The B-side “The Great Outdoors!” found its own place in the band’s live setup. Martin and Alan’s atmospheric instrumental was used as the introduction theme at selected shows on the Broken Frame Tour, following an accident with a Revox machine that destroyed most of the group’s previous intro tape. The 12-inch release of GET THE BALANCE RIGHT! contained the first official live recording to appear on a Depeche Mode single—an energetic version of “Tora! Tora! Tora!”—and the limited edition 12-inch offered additional live cuts, including “My Secret Garden,” “See You,” and “Satellite.” This marked the first time the band issued a limited edition version of a single, foreshadowing a tradition of special releases and remixes that would become increasingly important to their catalogue.

The accompanying video, directed by Kevin Hewitt, quickly became notorious among fans. Hewitt assumed Alan was the lead vocalist and filmed him miming David’s opening lines, leaving the band too embarrassed to correct the mistake. “As an indication of our naivety, we were too embarrassed to point out this mistake,” Alan later admitted. The finished promo continues to show Wilder lip-syncing David’s part, making it one of Depeche Mode’s more unusual visual moments.

The press reaction in 1983 was mixed, with some reviewers questioning whether the group could sustain the momentum they had enjoyed with earlier hits. Writing for Sounds, Johnny Waller noted that “Depeche seem to have fallen from grace with the critical cognoscenti, but this is the sort of single they do better than anyone else.” Regardless of certain lukewarm assessments, the four band members—David, Martin, Alan, and Andy—pushed forward with a focus on evolving their electronic pop and embracing fresh approaches to production.

GET THE BALANCE RIGHT! was played live during the latter leg of the Broken Frame Tour and again on the subsequent Construction Time Again Tour, yet it never returned to their setlists in later years. While the band has been vocal about the difficulties surrounding its creation, the single remains an intriguing snapshot of Depeche Mode at a turning point in their development, balancing their pop instincts with a growing interest in heavier, more experimental sounds.

"Sweet Dreams (Are Made of This)" by British synth-pop duo Eurythmics. It was released  as the fourth and final single f...
01/21/2026

"Sweet Dreams (Are Made of This)" by British synth-pop duo Eurythmics. It was released as the fourth and final single from their second album of the same name on January 21st 1983. It was their breakthrough hit, establishing the duo worldwide. It reached number two on the UK Singles Chart in March 1983, and number one on the US Billboard Hot 100 six months later; it was their first single released in the US.
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On the day …
01/19/2026

On the day …

On this day in 1999, the band Depeche Mode released The Singles 81>85, a remastered reissue of their classic compilation documenting the group’s early hit-making years. Originally assembled to collect every single from their first four albums, the set traces their progression from bright synth-pop like “Just Can’t Get Enough” to the darker, more introspective tones of “Everything Counts.” The compilation is also notable for including the standalone tracks “Shake the Disease” and “It’s Called a Heart,” which were first recorded specifically for the collection and hinted at the band’s impending creative shift. Reissued as part of Depeche Mode’s late-1990s catalog overhaul, The Singles 81>85 reaffirmed the lasting importance of their early work and its influence on electronic and alternative pop music.
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On this day in 1999, the band Depeche Mode released The Singles 81>85, a remastered reissue of their classic compilation...
01/19/2026

On this day in 1999, the band Depeche Mode released The Singles 81>85, a remastered reissue of their classic compilation documenting the group’s early hit-making years. Originally assembled to collect every single from their first four albums, the set traces their progression from bright synth-pop like “Just Can’t Get Enough” to the darker, more introspective tones of “Everything Counts.” The compilation is also notable for including the standalone tracks “Shake the Disease” and “It’s Called a Heart,” which were first recorded specifically for the collection and hinted at the band’s impending creative shift. Reissued as part of Depeche Mode’s late-1990s catalog overhaul, The Singles 81>85 reaffirmed the lasting importance of their early work and its influence on electronic and alternative pop music.
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www.facebook.com/DJBryanHawk

04/27/2025
Apple’s “1984” commercial is aired during Super Bowl XVIII on January 22, 1984. Earlier that month, Apple's Macintosh co...
01/22/2025

Apple’s “1984” commercial is aired during Super Bowl XVIII on January 22, 1984. Earlier that month, Apple's Macintosh computer was already the most anticipated personal computer release ever. As a part of the rollout, Apple commissioned director Ridley Scott to direct a one-minute commercial for the Mac. The commercial, which cost at least three hundred thousand dollars, was based partly on George Orwell's novel 1984, with the role of Big Brother being filled by a man dictating to the masses from a giant screen, only to have a hammer-wielding woman run up and destroy the screen, freeing the people. The “Big Brother” motif was a veiled reference to IBM, Apple’s main competitor. The commercial, shown only once, is considered a major turning point in the marketing of computers.

"Sweet Dreams (Are Made of This)" by British synth-pop duo Eurythmics. It was released  as the fourth and final single f...
01/21/2025

"Sweet Dreams (Are Made of This)" by British synth-pop duo Eurythmics. It was released as the fourth and final single from their second album of the same name on January 21st 1983. It was their breakthrough hit, establishing the duo worldwide. It reached number two on the UK Singles Chart in March 1983, and number one on the US Billboard Hot 100 six months later; it was their first single released in the US.

On this day in 1981, Blondie released “Rapture” - the second and final single from their fifth studio album “Autoamerica...
01/12/2025

On this day in 1981, Blondie released “Rapture” - the second and final single from their fifth studio album “Autoamerican”
“Fab Five Freddy told me everybody's fly”

40 years ago today, Eurythmics released "Here Comes the Rain Again" - the third single from their third studio album “To...
01/11/2025

40 years ago today, Eurythmics released "Here Comes the Rain Again" - the third single from their third studio album “Touch”

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